ИЗЛОЖБИ
2020 “MADE IN ЛЕЩЕН“, Little bird place, групова изложба
2020 "Дуализъм" Галерия ONE, групова изложба
2020 "(YOU)(BE)Like me" Галерия Аросита
2020 "Миналото- начин на употреба", Галерия Нюанс, София
2019 "ХОМОСОЦ", PORT A , документална изложба, София
2019 "FORMS" AETHER, групова изложба, част от София Прайд, София
2019 "Арт Старт" Гьоте институт, групова изложба, София
2018 "EXISTENCE MINIMUM", REPUBLICA , самостоятелна изложба, София
2017 Open studio, Cite International Des Arts, Париж
2015 Prague Quadrennial of Performance Design and Space, Прага
2014 Виа Понтика- Интернационален фестивал на младите в изкуството, Балчик
2013 СОХО (Sofia Holistic Coworking Company) самостоятелна изложба, София
ИЗЛОЖБИ
2020 “MADE IN ЛЕЩЕН“, Little bird place, групова изложба
2020 "Дуализъм" Галерия ONE, групова изложба
2020 "(YOU)(BE)Like me" Галерия Аросита
2020 "Миналото- начин на употреба", Галерия Нюанс, София
2019 "ХОМОСОЦ", PORT A , документална изложба, София
2019 "FORMS" AETHER, групова изложба, част от София Прайд, София
2019 "Арт Старт" Гьоте институт, групова изложба, София
2018 "EXISTENCE MINIMUM", REPUBLICA , самостоятелна изложба, София
2017 Open studio, Cite International Des Arts, Париж
2015 Prague Quadrennial of Performance Design and Space, Прага
2014 Виа Понтика- Интернационален фестивал на младите в изкуството, Балчик
2013 СОХО (Sofia Holistic Coworking Company) самостоятелна изложба, София
Румен Георгиев - фотография
Румен Георгиев - фотография
Румен Георгиев - фотография
Anna Bocheva Sound installation, 50x50x50 cm
Viktoria Tsvetanova Video art
Christina Popova Digital installation
Anna Bocheva Sound installation, 50x50x50 cm
Technical obsolescence
The topic of this year's group exhibition of the Digital Arts Master Program, the National Art Academy, is related to the idea of technical obsolescence. The material life of the technology object is short. This mortal technic leaves traces at the same time in the city dump and in the galleries. Exhausted devices give rich aesthetic and meaningful options to leave the world by default. Technological optimism and progressivity, the digital euphoria, technomany, and techno-otopy stimulate manufacturing processing as an important factor in their planning technical obsolescence. The authors in the exhibition have a different approach, finding creative inventions of this problem. Artists focus on artistic practices influenced by technology. Watching a mortal object may be driven by curiosity or nostalgia. In the reanimation of the old-fashioned device we can look for a social effect. Moral obsolescence is accompanied by a quest for adaptation. Updating is a mutation, and the mistake is an occasion for fun. Each of us is no less vulnerable.
Students unfold their author's approach with a variety of tools: video art, interactive installation, performance, digital printing, 2D and 3D digital prototyping, electronics, programming.
The exhibition presents the diploma theses of Anna Bocheva, Gergana Lazarova-Runkel, Daniela Nikolchova, Pepa Parisheva, Yana Vasileva, Mia Momchilova, Ivan Abajiev, Ugur Tahir.
In the exhibition are included semester works of first-year students Alexandra Kabatliyska, Victoria Tsvetanova, Mario Stoynov, Nikolay Mitev, Hristina Popova.